Marnie presents herself as simultaneously being quite similar and different to Anna: Marnie is envious of Anna’s freedom, while Anna longs for a family. So I answer myself, the magic of When Marnie Was There lies entirely within Anna’s journey of self-discovery and how this is intimately tied to her friendship with Marnie. In being able to capture the strength of Anna’s realisation of who Marnie is, as well as her acceptance of her foster parents and their love for her, When Marnie Was There prompted me to wonder: what about the film makes it so powerful? This is partially why up until now, I’ve not written about any of the Ghibli films, but When Marnie Was There succeeded in changing that: I watched this film on the first leg of my flight to Cancún, and was failing in all attempts to stem the tears at the film’s conclusion. They further capture the subtle and plain emotions in its scenes, making full use of audio and visual elements to convey a particular mood or atmosphere to strengthen the story, and each of their films have rendered me speechless. Produced by the legendary Studio Ghibli, I believe that this is my first shot at reviewing one of their films: their movies masterfully weave a narrative that holds the viewer’s interest. She encounters Marnie, an enigmatic girl who asks Anna to keep her existence quiet from others, and as the two spend more time with one another, Anna comes to learn more about her past and eventually, accepts her foster parents fully. While she’s here, she becomes enamoured with a seemingly abandoned seaside manor. After a particularly debilitating asthma attack, she spends her summer at a coastal town to live with her relatives with the aim of easing her asthma. Twelve-year-old Anna Sasaki is uneasy with the fact that her foster parents receive government compensation to raise her and is afflicted by asthma.

Released two summers ago, When Marnie Was There (Omoide no Mānī, literally “ Memories of Marnie”) is a film adaptation of Joan G. Who can say where unhappiness begins?” ― Joan G. It isn’t so clear when you take a long view. “When you grow as old as I am you can’t any longer say this was someone’s fault, and that was someone else’s.

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